Each product available on the platform is listed and sold by a partner seller identified on the product page. The platform acts as a metasearch/marketplace: it facilitates discovery and checkout, but the sale is made by the seller, who becomes responsible for the transaction.
Shipping is managed directly by the partner seller. The package is sent from the seller's warehouse or logistics network and handed over to the courier. This model enables more efficient deliveries and ensures that order management is handled by the party with actual availability of the product.
On the product page, you will find ingredients, allergens and nutritional information based on the data provided by the seller or producer, namely the official label. If you have allergies or intolerances, we recommend carefully checking the product page before purchasing and contacting the seller with any specific questions.
The platform was created to promote Italian food and make it more accessible. We select sellers in the food e-commerce sector with consistent catalogs and transparent information. Each product is associated with an identifiable seller and a complete information page: we want shopping here to mean buying with confidence.
Delivery times and costs depend on the seller and destination. At checkout, you will always find an updated delivery estimate before confirming payment. For international shipments, times may vary depending on the country and courier.
In recent years Naples has experienced a kind of hyper-narration, especially cinematic and literary, which has further enriched an already deeply rooted imaginary. The pendulum has always swung wildly between peaks and troughs, and it is difficult to form an idea, find an average, or imagine a Neapolitan normality—assuming one exists. What is the balance sheet of this period, in which Naples has been the most filmed city in Italy? Where should we look for this longed-for normality? Perhaps we need to «go up» to Vomero, a neighborhood considered almost foreign to the city precisely because it is assumed to be «normal»: inhabited by the middle class, homogeneous and peaceful? A reality contrasting with the over-the-top life of the historic center, crossed by a thousand architectural, historical and social layers—yet even there an alternative reading exists: the center, with its underground city and art metro, as a virtuous model of coexistence between ancient and modern, and not merely another variation on exotic exceptionalism. Bagnoli's odyssey, which for thirty years has awaited the launch of one of the thousand redevelopment projects for its industrial area, is countered by the cutting-edge campuses of the former Cirio factory in San Giovanni a Teduccio, which have had a positive impact on the area, as has also happened in the film sector with its many productions in the most difficult neighborhoods. A great success story is Fanpage, which established itself as a highly innovative news outlet and represents a Naples that attracts talent instead of letting it slip away, exports models, and colonizes rather than being colonized. At the governmental level too, the «city-state» and its «monarch mayors» present themselves as a political laboratory that often anticipates trends that will later emerge nationally. For better or worse, Naples always surprises, even when it does everything it can to be «normal».
Price including VAT
In recent years Naples has experienced a kind of hyper-narration, especially cinematic and literary, which has further enriched an already deeply rooted imaginary. The pendulum has always swung wildly between peaks and troughs, and it is difficult to form an idea, find an average, or imagine a Neapolitan normality—assuming one exists. What is the balance sheet of this period, in which Naples has been the most filmed city in Italy? Where should we look for this longed-for normality? Perhaps we need to «go up» to Vomero, a neighborhood considered almost foreign to the city precisely because it is assumed to be «normal»: inhabited by the middle class, homogeneous and peaceful? A reality contrasting with the over-the-top life of the historic center, crossed by a thousand architectural, historical and social layers—yet even there an alternative reading exists: the center, with its underground city and art metro, as a virtuous model of coexistence between ancient and modern, and not merely another variation on exotic exceptionalism. Bagnoli's odyssey, which for thirty years has awaited the launch of one of the thousand redevelopment projects for its industrial area, is countered by the cutting-edge campuses of the former Cirio factory in San Giovanni a Teduccio, which have had a positive impact on the area, as has also happened in the film sector with its many productions in the most difficult neighborhoods. A great success story is Fanpage, which established itself as a highly innovative news outlet and represents a Naples that attracts talent instead of letting it slip away, exports models, and colonizes rather than being colonized. At the governmental level too, the «city-state» and its «monarch mayors» present themselves as a political laboratory that often anticipates trends that will later emerge nationally. For better or worse, Naples always surprises, even when it does everything it can to be «normal».
